Showing posts with label Other Lives. Show all posts
Showing posts with label Other Lives. Show all posts

Tuesday, June 16, 2015

Other Lives / Riothorse Royale / Dark Rooms - Live 2015.06.11 Mohawk, Austin, Texas

I first caught wind of Other Lives when I saw them open for Radiohead in 2012. They were one of the best opening acts I've ever seen, and when I bought their then-latest album Tamer Animals, I was not disappointed. Somehow I'd missed that they just put out a new album in May of this year, but I did at least hear about this show.

Artist: Other Lives
Venue: Mohawk (outside)
Location: Austin, Texas
Date: 11 June 2015
Opening Acts: Riothorse Royale, Dark Rooms

Setlist:
01. Reconfiguration
02. Easy Way Out
03. As I Lay My Head Down
04. Landforms →
05. Desert
06. 2 Pyramids
07. Pattern
08. For 12
09. Tamer Animals
10. English Summer
11. Dark Horse
12. Weather
13. For the Last

Encore:
14. Black Tables (performed as a duo)
15. Great Sky (?)
16. Dust Bowl III

The first band of the night was Dark Rooms from Dallas, the latest project of guitarist/violinist/vocalist Daniel Hart. His instrumentation and occasional looping (as well as appearance) might give rise to comparisons to Andrew Bird, but the comparison doesn't really hold up past that. In place of Bird's folk and classicism was a darker, denser, percussive style. With the help of a guitarist, a drummer, and a keyboardist/percussionist, they generated a very full and nuanced sound. When they first began, I was concerned by seeing both guitarists playing the same thing for most of the first song. Thankfully, that did not occur again and the show only got better. Hart also contributed occasional samples to the mix, although these were not always very successful. His looping and clever effects on his violin and guitar were consistently great, though, and it was easy to get lost in the haze of this band.

[Dark Rooms.]

Riothorse Royale is the project of Madi Diaz and Emily Greene, a guitarist and a bassist (although I'm not sure which is which!), both of whom sing on most of their songs. They were joined by drummer Danny Reisch, a notable producer of and contributor to many bands in the Austin scene. Their music was instrumentally simple but used to great effect. The beats were basic, the rhythms uncomplicated, and the guitar and bass parts to the point, but they had a good set of effects, and the vocals were excellent. Just about every song featured both vocalists either in harmony or overlapping their parts. The music had a dark, ethereal, post-punk vibe that was almost reminiscent of Warpaint, but the vocals were what took it to another level.

[Riothorse Royale.]

When I last saw Other Lives in 2012, they operated as five-member core with an extra touring musician (who may have been Daniel Hart!). In the meantime, two of their members decamped, leaving the other three to carry on as a trio with guests. On stage, they appeared with two familiar faces: violinist/guitarist/vocalist Hart, who had just played a set as Dark Rooms, and drummer Danny Reisch, who had just done a set with Riothorse Royale. I thought this sharing of members was quite a special treat; it reminded me of when The Cure toured with Siouxsie & the Banshees and Robert Smith served as both frontman of the former and guitarist for the latter.

[Other Lives. Note the lightbulbs!]

Other Lives have just released a new album, Rituals, which I hadn't heard before the show. (This is why there is an element of guesswork in my setlist.) They split the set in large part between the new album and their last one, Tamer Animals. While the older songs were more familiar to me and thus more immediately enjoyable, I found the newer material right in line, albeit perhaps more diverse and rhythmically complex, which are certainly welcome changes. There were truly no disappointments: the band performed all the best tracks of Tamer Animals (almost the entire thing!) and about half the new album.

Instrumentally, the band is all over the place. They combine rock basics (guitar, bass, drums) with elements of folk, classical, and electronica (violin, trumpet, multiple keyboards, vibraphone, various forms of percussion). Everyone except the drummer were talented multi-instrumentalists; sometimes the members even switched instruments mid-song. Jesse Tabish provided all the lead vocals, but Hart and Josh Onstott also provided many additional vocal parts. In fact, I noticed Hart singing many parts that I would have otherwise thought were keyboards or string parts. Tamer Animals is full of a dense web of instruments and vocals, often difficult to distinguish, but several parts that I had always thought were instrumental were done live with Hart's voice!

Their set was beautiful, melodic, well performed, entrancing, and (to use the word again) ethereal. They have a way of quickly building a song into a unique space and filling it such that when it's over it feels like it was an epic. Most of their songs are actually on the short side, yet they feel long, as if there is more contained in them than there was time for. When the show was over, I couldn't believe only 75 minutes or so had passed – it felt like they'd fit so much more than that in. It's a real skill to be able to make an experience seem like there was even more there than there was.

[Other Lives playing their final notes of the night.]

Scores:
Dark Rooms: A-
Riothorse Royale: B
Other Lives: A

Sunday, March 11, 2012

Radiohead / Other Lives - Live 2012.03.09 Scottrade Center, St. Louis, Missouri

I just couldn't say no to this concert. It was worth the expensive ticket, even if seeing a concert in 19,000-seat hockey arena is weird.

Artist: Radiohead
Venue: Scottrade Center
Location: St. Louis, Missouri
Date: 9 March 2012
Opening Act: Other Lives

Setlist:
01. Bloom
02. 15 Step
03. Airbag
04. Little by Little
05. Morning Mr. Magpie
06. Myxomatosis
07. Kid A
08. Videotape
09. The Daily Mail
10. The Amazing Sounds of Orgy
11. Karma Police
12. Identikit
13. Lotus Flower
14. There There
15. Feral
16. Reckoner

First Encore:
17. Separator
18. Weird Fishes/Arpeggi
19. Lucky
20. Electrolite [R.E.M. cover tease] Everything in Its Right Place

Second Encore:
21. Give Up the Ghost
22. You and Whose Army?
23. Idioteque

This show rocked. I don't know when the last time was that I saw a concert this good – and I saw some good concerts last year! I think a large part of my satisfaction comes from just how good the openers were. I hadn't heard the name until I heard they'd be opening the show, but it turns out that Other Lives are a top-notch band. Hailing from Oklahoma and performing as a six-piece, they produced a dense, nearly orchestral sound. Despite the difficulty in ascertaining who was producing what sound in the mass of guitars, keyboards, and strings, they reminded me of a less abstract My Bloody Valentine, or a more compact Godspeed You! Black Emperor, or of the more complexly arranged Radiohead songs from OK Computer or In Rainbows. Suffice it to say, I liked them a lot.

Speaking of Radiohead, the first surprise of the show for the unsuspecting observer was the presence of two drumsets – guest drummer Clive Deamer has become a steady live member of the band for this tour. To open their set, Radiohead played three album-openers, each of which benefited greatly from the expanded percussion. While "There There" has always featured additional percussion from guitarists Johnny Greenwood and Ed O'Brien, "Bloom" also featured Jonny on percussion, and Clive's presence on almost every song of the show certainly set the theme of their performance.

The new material from 2011's The King of Limbs benefited greatly from this percussive focus. Since the album already showed an emphasis on reducing sonic complexity in favor of rhythmic precision and ingenuity, it only makes sense that the band would further expand on that front live. Despite my relative lack of enthusiasm for the new album, most of the songs carried a fantastic energy when performed live. "Feral" still remained a formless, weak, meandering half-song, and "Separator" lost some of its subtle wonder, but the others were surprisingly good.

The rest of the setlist was solid. They played their newest single, "The Daily Mail"; an obscure Amnesiac-era b-side, "The Amazing Sounds of Orgy"; and the brand-new, unreleased "Identikit". Other highlights from their extensive back-catalog were "Reckoner", "Lucky", "You and Whose Army?", and three Kid A songs that all garnered massive crowd approval. Oddly, nothing from before OK Computer was performed; other setlists from this tour usually have one song from The Bends, but at this point in Radiohead's career, they can probably afford to forget about their more mainstream alt-rock days.

The band was in top form, clearly extremely well-rehearsed. The rhythms were unbelievably tight and intricate. Clive added quite a bit in that regard to the classic material – especially to songs like "Reckoner" and the Kid A material. (Perhaps that's why those songs stood out to me so much.) On other songs, Clive's influence seemed minimal, superfluous, or even undetectable. I have no idea what he added to "Weird Fishes/Arpeggi" or "There There", for example. "Lucky" and "You and Whose Army?" were the only songs he sat out on, presumably because there was literally almost nothing to add. (Well, there was also "Give Up the Ghost", which was performed by just Thom, Johnny, and a sampled beat, but that's a different story.)

The only weak moments were "Feral", a screwy-sounding guitar part by Johnny on "Weird Fishes/Arpeggi", and some flubbed lyrics on "Karma Police" – which Thom joked about by then changing the chorus: "This is what you get when you forget the words". But every other moment was a perfect performance, and the encores were incredible. It's fascinating to see a crowd respond so well to a song as abstract as "Everything in Its Right Place". The closing song, "Idioteque" went over quite well, and the performance was even more intense than normal, escalating into an extended frenzied jam at its conclusion.

I'm not sure what else to say. It was an incredible performance, possibly even slightly better than the last time I saw them. And Other Lives were probably the best opening act I've seen since Haii Usagi opened for the Faint.

Scores:
Other Lives: A
Radiohead: A